The
Back of the Rack
"What Every Intern Needs to Learn" by
Tim Rutherford
Every
summer my TV station is bombarded with interns. Truth is...I
don't much like it. Joke: "How do you extricate the newsvan stuck in
the mud?"
"An intern under every wheel."
But
honestly, I realize how important their internship is. It
can lead to a real job in the business if they show the
ability to perform assigned tasks and more importantly,
show a desire to go a step further and find work to do on
their own.
News managers, producers and reporters rarely have time
for lengthy discussions with interns. They sometimes are
treated like the least favorite puppy in the litter. You'll
feed it and give it some place to sleep, but it's not going
to be thrown any roast beef from the dinner table.
Interns
have accompanied me dozens of times on news stories. They
often seem undecided about the direction they want to go
in, and seem to be just testing the waters. That's okay,
but as we know, the more determined you are about a particular
job, the more likely you will eventually find it. My
reporters and I only have one rule for interns: "What's
said in the car...stays in the car."
But
I always make a point to give the interns this valuable
lesson. I ask them: " Do you know what TV really is?" They
say: "Of course, you old fart. What are you like a spaz
or something." We're the new media generation. And as soon
as you old geezers get out of the way, we're going to revolutionize
TV with new and better concepts and ideas."
"Very
good" I say. "Just make sure you understand what TV really
is." And then I take them and show them real TV.
I take
them to the back of the racks.
I show
them how every piece of equipment in this place has a cable
or two or three or four. How everything that makes TV work
is in essense a electronic vehicle that has to be built
and tuned before it can be driven.
How
every thing about TV that seems as simple as point-and-click
is really an incredible marvel of modern technology that
allows you to see and hear the lousy singers on "American
Idol". Behind all of TV is the "electronica". The underbelly.
The guts.
"That's
TV."
Before
the pretty anchorman can read, before the investigative
reporter can go live from the courthouse, before the weatherman
with his myriad toys can still blow the forecast; there
is this:
The back of the rack.
And
a lot of really smart people worked long and hard to make
everything work in this place. They are the unsung heroes
of TV. The technicians who figure out how all of this sh*t
works. And then they make it work.
"This
is TV."
Tim
Rutherford
PhotogsLounge.net
Headlines
The
NAB Show Through An Editor's Mirror
"...perspective
from the post-production viewpoint about what on-site and
virtual visitors can take away from the big show."
Do
you have after-show meetings for your local news broadcasts?
If you
do, this article says you probably
have good ratings at your station. A survey found that there
was a "significant relationship' between whether producers
and directors held a show meeting and how they assessed each
other’s competence."
And there's
this: "the key finding is that not only do producers and
directors not communicate well, they don’t even communicate
minimally although, as she rightfully notes, “One cannot succeed
without the other’s participation and involvement.”
Breaking
in the new reporter in most TV newsrooms usually involves nothing
more than handing them their assignment ( the crime de jour
usually) and sending them to the garage in search of a van.
But there's gotta be a better way than this sink or swim scenario.
As this
report notes..."a newsroom that invests a little time
early on to help new hires learn their way around will reap
rewards more quickly in the form of better and more original
stories."
Here's
a how-to on breaking in the new guy
the RIGHT way. MORE...
6 Hazards of TV News Pooling and
How to Avoid Diluting Your Coverage
Reprinted
from poynter.org
Chicago.
Philadelphia. Phoenix. Atlanta. Tampa. Detroit. Washington,
D.C. Boston. TV stations across the country have set up pool
agreements -- the sharing of video crews to cover routine,
scheduled events. The driving force behind this cooperation
among competitors isn't love, it's money.
As
ad revenues drop., stations cut staff and salaries, mandate
furloughs and impose hiring freezes. But if they cut the newsroom
population too deeply, stations can't produce sufficient fresh
material for newscasts and Web sites. So where's the next
place to find relief? The pool -- a single crew that covers
selected news and sports events and feeds the same TV dinner
to everyone in the news family.
News
directors are putting the best face on it. Veteran news director
Budd McEntee of Atlanta's WAGA-TV told the Atlanta Journal-Constitution:
"How many times have you seen a (press conference) where
you've got six cameras lined up all with the same shot? In
a thriving competitive environment it's really wasteful. This
frees us up to really expand our coverage of the news with
stories that are our own."
I've
known (and liked) Budd for a long time. He's a hardcore newshound,
and I trust he'll do his best to live up to that ideal of
expanded coverage. But Budd -- and every other leader of a
pool-ified newsroom -- must manage more than the mechanics
of sharing. They need to wrestle with pooling's risks and
unintended consequences.
So, consider
this one of those "danger" signs you see posted
at public pools, warning everyone to take precautions before
they jump in.
Here
are six hazards of pooling:
1. Stations
may miss contacts and stories in the halls of power.
As pool crews flourish, individual journalists may spend even
less time in places where governmental policy is made. Few
stations have beat reporters routinely roaming Capitols, City
Halls and Courthouses these days, and it's been news conferences
that get them back into those buildings. While in the halls
of power, smart journalists take the opportunity to make contacts,
develop sources and find tomorrow's stories. Now a pool crew
will be there instead. With its targeted story assignment
and loyalty to all its member stations, the pool crew won't
have the time or motivation to mine more deeply at the scene.
2. Pool
video may become devalued.
It's a fact of newsroom culture and human nature: we like
our own ideas best. We place a higher value on the stories
that have our signature on them. It will be a challenge to
keep staff from developing this logic: If a story's important,
we cover it ourselves. If it's no big deal, the pool gets
it. And if it's no big deal, hey, I'd rather work on something
else.
3. Staged
events can blossom.
Savvy self-promoters and media relations people may sense
a real opportunity in the news-sharing environment. Pools
are designed for coverage of scheduled events, so spinners
may dream up more of them. Publicity stunts could increase
because of the natural synergy between those wanting attention
and pool operations needing to demonstrate productivity. Assignment
editors, beware.
4. Pool
coverage may become stenography.
If pool crews are doing drive-by coverage -- grabbing video,
sound bites and news releases and rushing off to the next
location -- viewers will get much more of the "who, what
and where" than the more valuable "why and how."
Who, what and where are the product of stenography -- recording
the obvious. Why and how -- plus why not, what else, what
more, and in what context -- are born of critical thinking.
That takes talent and time and that's why it is valuable to
viewers.
5. Pooling
might save money, but not jobs.
It sounds so good: The time and effort saved by sending pool
crews frees the rest of the station's staff to develop enterprise
stories. And that can work -- as long as the news staff truly
remains intact. But in these tight times, management may be
tempted to see the pool arrangement as "outsourcing"
and an excuse to cut positions. If that happens, the pool
stations save money but lose key resources: human resources,
editorial resources and trust.
6. The
non-pool players may escape all these hazards at the pool
station's expense.
In some cities, market leaders have said "no thanks"
to joining a pool. Operating from positions of ratings strength,
these stations are betting that branding themselves as independent,
unique and better is more valuable than the potential cost-savings
of pools. They could be wrong, especially if they do nothing
more than scoff at the pools, send their own crews to the
same stories in the same way, and assume viewers will see
a difference. Or, they could end up celebrating the wisdom
of going it alone -- if their competitors succumb to the pool
hazards and deliver diluted coverage.
I'd like
to think that the news directors who have launched news sharing
agreements know and care about these risks. That they talk
about values and vigilance with their staffs. That they exercise
the kind of leadership necessary to prove that pool coverage
can make sense -- economically and journalistically -- to
stations and viewers. Change like this involves risk, and
that's where strong leadership makes the difference.
by Jill
Geisler www.poynter.org
Tim
Rutherford
PhotogsLounge.net
Needy Knees
Now
that it's weather for wearing shorts, I'm wearing shorts.
I know that photogs wearing shorts can often be pretty unsightly
depending on the legs of said shorts-wearer.
And I've seen every type of photog leg from bulldozer brawny
to vericose vein-ey.
Me...my legs are so skinny that one photog used to joke: "are
those your legs or are you riding a chicken?".
Anyhow...
Since my
knees are now available for inspection, the other day my daughter
said: "Dad...what's that on your knee?"
I'm like: "What?"
She says: "that thing on your knee?".
So in checking this out and I come to realize something I had
never noticed before.
I have callouses on my knees!
Worn,
old scaley patches of roughed up knee-skin.
I'm thinking...jeez I've been shooting news so long, getting
down on my knees for that oh-so artistic low-angle award-winning,
god I am so good video, that I have developed callouses on my
KNEES!
I'd like
to know exactly when this happened so I can warn my fellow photogs
at what point in their career they can expect to have knees
like that of a strawberry farmer.
But I think this thing just kinda creeps up on you.
And now I have to live with not only bony kneecaps...but bony
kneecaps covered in what looks like low-grade sandpaper.
So go ahead
guys...check your knees right now.
You old-timers will discover you have well-worn callouses that
no amount of skin lotion and vigorous rubbing will ever make
smooth again.
And you young guys...if those patches of rubbed and scrubbed
skin aren't there yet...just know that your time will come.
Just another
visible reminder to one day show the grandkids.
"Yep...I worked so hard getting those hard-to-get angles that
my knees will forever bear the scars of my dedication and desire
to make my TV news stories great."
And at
the old-photogs home we'll all sit around and compare our battle
scars.
Kinda like a night at the VFW...
except we'll toast the glory days with bottles of Jergens.
Tim
Rutherford
PhotogsLounge.net
New MessageBoard
Well
I'm trying one more time with a messageboard
forum for you. The last one was overwhelmed with spam
so I've taken some more precautions to try to make this one
work. I
know that the B-Roll forum is the favorite of most of you.
I like it too. This is just another outlet for you.
I'll try to find some interesting, hopefully unique topics
for you to chew on.
Please take a quick moment to register and have at it.
And thanks for sticking with PhotogsLounge. Still a labor
of love for me
A.
Some veteran newspeople who know the
area and the players and make our newsgathering better.
B. A
mix of news vets and young whippersnappers who sometimes
get it wrong, but more often get it right.
C. A
mostly young mix of upstarts who want to do well, but
at this point in their careers need time and seasoning.
D.
A bad combination of entry-level phone answerers and
their weekend inferiors who are damaging our reputation
and ability to compete.
E. A
monkey who has learned how to push all the shiny buttons,
and a parrot who can mimic the last phrase barked at
him.
Final
Poll Results
The
final numbers on this poll are actually quite encouraging
in that the more positive answers gathered the largest numbers.
It seems that desks are struggling but trying to make a decent
attempt at gathering relevant news. We haven't all been forced
to work with deskmonkeys. It seems the majority of desk personnel
are still working hard to make the desk a successful focus
for the newsroom.
Every
once in a while it's good to take a little refresher course
on one or another of the many skill sets that news photogs
are asked to master, so I thought I'd bring back a terrific
essay written by Chris Ray on
the basics of using the proper camera filters when shooting
video. In
your everyday shooting, you don't NEED to know what the Kelvin
scale measures.
But knowing it and how color temperature works will definitely
make you a better shooter.
Read Filter Facts!
Here's
the latest incarnation of a mobile video production truck
from TVProGear.
I like the roll-on, roll-off production equipment aspect of
this thing.
With portable monitors, switchers, and audio all in a box,
it makes it very convenient to work either inside or outside
the truck itself.
R.I.P.
PLASMA TV
" Pioneer
and VIZIO -- the nation's No. 2 set maker -- say they're abandoning
the plasma business.
Funnybidness
What
the Reporter really means is...
by Tim Rutherford
Reporter
says:"I...got
an interview with the councilman. We...shot video of the scene."
REALLY
means: "My
photog can take no credit for hailing the councilman outside
city hall and directing him to me here inside the building
where I asked him how he felt about the new bill.
I, on the other hand deserve to share the credit with my
photog for the 20 minutes of engaging video that was shot
capturing the pivotal moments of this chaotic news event.
Damn I'm good."
Reporter
says: "Let's
just head to the scene."
REALLY
means: "
"No one returned my calls. I have no new info. I have
no old video. I have no fresh insights. I have no story."
Reporter
says: "I
need to get some MOS."
REALLY
means: "
"This story will have to revolve around the three
numbskulls' opinions I get on tape that will not propel
the story in any way but will get me a big step closer
to finishing a minute-thirty throwaway package that fills
the producers' empty bottom of the hour hole."
Reporter
says: "I
think the notion of one-man-bands to cover stories is
a terrible idea and will really lower the quality of our
news product."
REALLY
means: "
"I'm scared .
Is that sound my pedestal being lowered?"
10
Most Common Things Said From Directors to Photogs:
10--What's
this? Take black!!!!
9--Get the hell out of my control room and go shoot something!
8--Well, if we strobe the video I suppose nobody will notice
how shakey that shot was.
7--Some nat sound on this would've been swell. Do you remember
how to turn on your shotgun mic? Its the thing sticking out
from the top of your camera.
6--Quit flirting with the damned Reporter and STANDBYE!
5--No, (fill in name), that crotch shot doesn't qualify as
"creative photojournalism".
4--What the hell kind of shot is that?
3--Times and outcues...times and outcues...times and outcues.
I didn't shoot it. I don't know what the hell it is, and if
I had shot it then it wouldn't be BLUE!
2--Could you turn the television down, please? I'm trying
to prepare for a newscast.
Broadcast
TV is going mobile. It's only a matter of time before every
TV station will be available on your handy mobile device. Lots
of ownership groups are jumping into this big time although
there is still some early skepticism.
But in trying to reach a younger audience to remain viable,
this may be a necessary route and early adopters could gather
in a loyal following if the content is engaging.
Your
camera is bigger than theirs so you must be more important
right? Sadly,
the idea that you somehow carry more weight (not just on your
shoulder) because of the size of your camera is dying fast.
I've said before that once the main players in town (mayors,
business execs, etc.) get used to the fact that the cameras
are now smaller and the guy behind it asking the questions
is just as important, the idea that these big-ass cameras
we throw around are a necessary evil will fade away.
Most of these smaller cameras produce quality video in the
right lighting.
If they can just get those thorny bad audio problems solved,
that big thing sitting on your tripod may go the way of every
other camera that reached its techno-breaking point.
That old TK-76 is still gathering dust on the top of the maintenance
racks isn't it?
Panasonic
is going full-tilt boogie into producing 3-D television from
start to finish.
From cameras to full HD 3-D displays, Panasonic thinks it
can grab an area of developing techology all to itself and
run with it.
Yeah...you'll still need the funny glasses but this is an
area of TV entertainment that is bound to be attractive to
a lot of couch potatoes in the future.
Heck...3-D porn films are a no-brainer for the lonely technophile...right?
Local
TV-newspaper partnerships are a big flop.
For a number of reasons including: resistance to sharing stories,
too much planning time, the ability of newspapers to gather
their own video and the overriding fact that the newspaper
industry is in total meltdown, are all adding up to the fact
that these local partnerships are going nowhere and will all
probably fade away into the bowels of the great 21st century
information paradigm shift.
College
students looking to land the first big TV job are remaining
hopeful even in the face of some daunting realities in the
world of TV news.
As TV stations around the country are dropping reporters,
producers and really just about anybody with a heartbeat,
the nation's newly graduated are still primed to land that
first gig.
The key is that they are not pigeonholing themselves but rather
offering their services as jack-of-all broadcast trades from
shooting and editing to writing and tweeting.
Trade secret #1: if you're ugly, you can hang it up.
Tim
Rutherford
PhotogsLounge.net
Is Your Video Archive Flaking Out?
It's
probably the best-known engineering problem and most
stations do nothing about it: the limited life span of videotape.
Until recently, only major networks and studios could justify
the time and expense of backing up old content or storing the
originals off site. But the explosion of licensed video sites
and the fast-growing market for documentary footage have created
new opportunities for stations to monetize old footage. That
is, for stations who can locate and transfer their footage on
demand.
But when it comes to videotape, age both giveth and taketh
away. By the time old footage achieves nostalgic and historic
market value, it has probably suffered physical deterioration.
Too often, potential profits have already evaporated. Or more
accurately, flaked away.
I
usually give folks the option when I am delivering a good news/bad
news scenario.
Which do you want to hear first?
Me?.....Always the bad news first.
Let's get the crap out of the way now so I can revel in the
good stuff.
With that in mind...here is the bad news:
Geez...this stuff is getting really serious. It seems every
ownership group is going to take their turn at paring down the
size of their local TV news operations.
I know this flood of layoff news can be depressing for many
of you readers. "Enough already. We get it. It's bad times
for TV", you say.
And I hear you. But it's important for all of us to see who
is doing what and how it may affect your future.
So now...the good news.
TV stations in Los
Angeles and Detroit
are adding newscasts.
In an uncertain revenue future, some stations are still taking
chances and expanding their operations.
That's a positive in a hazy forecast
So let's have a look at the future.
TV stations sharing
resources has,in the past, been totally pooh-poohed by execs.
"We're competitiors!"
Now in a time of declining viewers and revenue, sharing helicopters,
pool cameras and the like, is starting to make a lot of sense.
A buddy of mine predicted this years ago. "Why do you need
10 cameras all shooting the same press conference?" he
would ask. I would explain the competition factor, the need
for isolation, etc. etc.
He said: "It's expensive overkill."
Now he looks like a prophet.
This sharing plan gained a big endorsement from a couple of
big
media groups who have joined forces.
Expect this trend to continue.
Bad economic times means more local TV news viewers compared to
other media outlets, so says a new
study.
I guess those of us with less money in the pocket need to see
that we are not alone. And TV seems to be the first place of refuge.
What
about journalism students still hoping to get into the field?
They must realize the industry is in turmoil and steer clear,
right?
Nope. Journalism as a major is on the rise, not the decline.
And universities and colleges are trying to meet that demand
with innovative
coursework geared toward the multi-media platform outlets
that abound.
It's not about just getting a resume tape with a good standup
on it anymore.
It's about storytelling.
In fact, the reporter standup might become a thing of the past.
The growth of news on the web is demanding a re-thinking
of past practices.
Specifically, how do traditional TV news stories translate
to a web viewing audience?
Berkley professor Richard Koci Hernandez says that his research
shows that the ever-present TV reporter standup does not work
as well on the web as on the TV.
He says: "...on the web, you can put a two- or three-minute
piece up and you can let the subject speak. You dont even
have to be in there if you dont want to, and you can just
let the cameras roll. So instead of telling you can show."
"Blasphemy!! No reporter standups! How will the audience
know who I am and how objective and personable I can be if they
don't see me" you say.
Truth is, that on the web, it's not as important.
Hernandez says: "Dont adopt something; try something
new. I really think that we do have an opportunity to create
a new form of what we might call web journalism, or storytelling
for the web."
One newspaper journo for the Times in Scotland was suspended
for not using a video camera on a story.
I guess some folks haven't gotten the memo about how the Times...they
are a -changin'.
Finally,a few tidbits:
There was a fight
in a TV station studio in Savannah that sent one person to
the hospital.
I'm guessing this was a blowup amongst some employees.
But if you're gonna come to blows with the bitchy audio-guy who
has finally put you over the edge, at least save it for the weather
segment when all the viewers are too mesmerized by the super-duper
"world's most powerful" doppler radar to care that there
is a slugfest going on just outside camera-range.
"I'll kill you Buzzy. I swear I'll kill you!"
The governor of Alabama is threatening
to sue the local TV stations over airing an ad that criticizes
him.
Some of the stations have backed off and pulled the ad.
Others are calling it a "1st amendment issue".
One thing I know for sure...TV stations fear lawyers. Even their
own.
The Associated Press is pondering
whether to lower the boom on the many websites out there who re-use
their content or even link to it. They are threatening lawsuits
or offering to strike deals with sites like Google. I guess the
AP sees an opportunity to grab some big-time revenue from aggregator
sites and the like.
Question: What would a morning TV news meeting look like without
the local paper and the AP wire?
Finally,
a cat looking for a cozy spot to...nap, got
caught in a TV trucks' sat dish as it rolled down the road.
The cat has now become a celebrity after being safely removed
by dismantling a part of the dish.
For you cat-lovers out there...a happy ending.
For you cat-haters...a missed opportunity for some "fun
with Mittens".
Tim
Rutherford
PhotogsLounge.net
So
You Want to be a News Director
From the outside
looking in, the job doesn’t seem that hard. “I remember as a producer
looking into that news director’s office and wondering, ‘What
the hell do they do all day?’” says Kathleen Choal, news director
at KVOA-TV in Tucson, AZ. “All I see them doing is talking on
the phone and watching TV!”
She knows
better now. A news director’s job is part admiral, part accountant,
and all consuming. It’s the kind of job you’re never really prepared
for, but you’re still expected to step in and do it well from
day one. Read the entire
article.
"Slow
and Stupid"
Or: How to run a red light and avoid the penalty
Okay...first
off, A disclaimer: If there is even the slightest chance you
could be involved in an accident...DO NOT TRY THIS!
Okay...with
that out of the way...TV news crews do so much driving around
their respective cities and towns that it is often the case
that we have to squeak by an intersection where the light is
in the process of turning from yellow to red.
Since
TV news crews are ALWAYS in a hurry, occasionally it is necessary
that, in order to avoid missing the mayor's admission of guilt
in his perjury case, or the finals of the county fair pig race,
we need to scoot through those amber to red changing traffic
lights and get our asses down the road.
Of
course the natural tendency when approaching an intersection
where the light is yellow and about to go red, is to pound that
pedal to the floor and bust through that sucker. If you almost
make the light by zooming through it...well...that counts right?
Wrong.
Especially if a police officer is in a position to see you do
it. Speeding up to make the light is a no-no from a cop's point
of view. And rightly so.
Here's
my PhotogsLounge method for running the light and avoiding the
cops: DO the exact opposite.
Take
your foot off the gas...slow down...put both hands on the steering
wheel, put a dumbfounded look on your face, and creep through
the light looking like you wouldn't know a red light from a
green, blue or purple light.
Yes
my friends...slow and stupid makes the light.
This
applies mostly to unmarked vehicles. A police officer's decision
to pull over your marked news vehicle is directly related to
how much he or she said officer hates your weatherman.
Look
at it from a police officer's point of view. Who are you going
to bother to stop? A knucklehead who busted through that light
racing his engine in the process, OR...an idiot who looks as
though he doesn't even know what day it is, let alone what color
the light was?
A
little acting is required here. Feel free to put on your stupidest
looking expression and let a little spit drool down your chin.
Might wanna take a split sec and muss your hair. We're going
for the absent-minded professor look here. Or maybe the banjo-playing
mutant in Deliverance.
Cop's
gonna figure" "I'll be damned if I'm spending the next half
hour explaining the traffic laws to a moron who should have
"funny farm" permanently set in the GPS.
I've tested this method and it is guaranteed to work for you
as it has for me.
Repeat
after me: "Slow and stupid makes the light".
If
your assignment desk is like mine however, they are alreading
packing up the podium at the event anyway. No need to get a
ticket to boot.
...Pictures.
Some pretty, some not -- It depends on how long the tape sat out
of its case in the empty McDonald's French fry bag on the front
seat of the Shooter's car. Without video television would be exactly
like radio, except that on radio they sometimes stop talking during
the music.
AUDIO
...Part
of the television signal that no one cares about, but something
has to accompany the video.
PRODUCER
...Someone
who owns a digital stopwatch, but can't count backwards.
DIRECTOR
...Someone
who can count backwards from 3, but can't afford a digital stopwatch.
The
Pew Project for Excellence in Journalism at journalism.org
is out with it's 2009
"State of the News Media" report and as always
this highly researched and documented report is the most comprehensive
and focused look at where the news media is sitting now and
what may lie ahead.
If you want to know where the entire industry stands at the
start of a troubling and certainly challenging time, I recommend
reading the entire report.
But I've focused on the "Local
TV News" segment and here now offer some highlights
(lowlights?)
Viewership
"An
analysis of data from Nielsen Media Research suggests that viewership
of local news declined or was flat across all timeslots, during
all sweeps periods during the year.2
Evening
newscasts, around the dinner hour, were hardest hit.
The
picture was less bleak for morning news, where ratings remained
steady throughout the four sweeps months, although share declined.
Evening news (around dinnertime) lost ratings in three out
of four sweeps months, with declines as high as 11%. In share
they lost every month save one, when they broke even.
In
late news, after prime time, the numbers fell in all four
sweeps periods.The closest thing to a bright spot in local
news was early morning, although here, too, the bloom appears
to be off the rose somewhat.
For
early morning news (5 to 7 a.m.), the local programs that
come on before the network morning shows at 7 a.m., audience
figures for 2008 were flat or down.
Noon
broadcasts (noon to 1 p.m.) have become increasingly popular
among audiences, and network affiliates continue to add these
newscasts to their schedule. Ratings and share for the timeslot
are somewhat more stable than others excluding morning news,
which held steady from 2007."
Revenue
"According
to 2008 projections by Veronis Suhler Stevenson published in
August, advertising revenue is expected to decline 8.3% in 2009.
In November, the Television Bureau of Advertising estimated
even smaller revenues for 2009, which it estimated would be
7% to 11% lower than its newly reduced expectations for 2008.
But
now those may seem optimistic. In the first quarter, industry
executives said local TV stations were seeing revenues down
as much as 40%. And in an article foreshadowing many of the
problems local television stations would face in planning
their budgets for 2009, Deborah Potter, executive director
of NewsLab, a journalism resource center, and a consultant
to this project, suggests that profits margins have dwindled
to new lows. For publicly traded businesses accustomed
to a 40 percent profit margin, 20 percent profit seems paltry
especially to Wall Street, Potter wrote.6
And
2009 looks worse. In November, the Television Bureau of Advertising
projected that local spot revenue would fall 4% to 8% in 2009.
National spot advertising was projected to fall even further,
between 11.5% and 15.5% compared with 2008.
Average
station revenues are falling, when adjusted for inflation,
and the impact is being felt most severely in smaller markets."
Staffing
"Salaries
for news professionals did grow on average in 2007. But the
gains were almost exclusively made by on-air employees. The
behind-the-cameras staff barely kept up with inflation. And
throughout 2008, there were signs of stations now beginning
to jettison some of their most senior people, including top
anchors, to save money. Cutbacks accelerated in the last few
months of 2008, with all types of newsroom positions being shed.
Moving
ahead, 2009 is shaping up to be perhaps even more difficult.
In the summer of 2008, a survey of news directors found that
most expected staffing levels to be flat in the coming year,
and a growing number feared that cuts were in the offing.
And
that survey was completed before the economy soured in the
fourth quarter. Analysts now warn that the situation in 2009
could be even worse.
While the money is small, stations are getting more serious
with their online ventures, including hiring more people to
sell online ads exclusively. The reason is simple. While small,
the revenues from the Internet are growing and that makes
them significant in the increasingly difficult world of local
television."
Looking
Ahead
"One
other potentially worrisome development for local news operations
is that networks are increasingly demanding money from their
affiliates for programming, while in previous years the payments
moved in the other direction.
These
include changes in financial arrangements between networks
and their affiliates and a reduction in the numbers of hours
of national programming from networks. And at least one network
(CBS) envisions distributing its programs directly through
cable and satellite systems within the next decade
thus circumventing or cutting ties completely with affiliates.
Should
the reverse-compensation model become the norm, many small-market
stations fear they will have to cut back on local programming,
including news, to make up for the higher costs.
An
end to the network-affiliate model would have more dire consequences
for affiliates. With less or no national programming from
the networks, stations would likely be at a disadvantage in
negotiating fees for retransmission of their programming on
cable and satellite systems.
As
2009 began, the traditional network-affiliate model remained
intact but unsteady. The changes foreshadowed in 2008 may
prompt stations to expand beyond traditional local programming
(mostly news) into more varied content as a protection against
audience erosion.
Still
to be gauged is whether stations will take better advantage
of the extra channels offered by the digital conversion to
add such things as all-sports or all-weather channels, and
whether cable providers will be compelled to carry them, and
how audiences and advertisers will respond if they do. At
the end of 2008, local all-weather channels were the most
common at many stations, although few had yet to offer different
types of content on their digital sub-channels.
Papper
suggested, however, that with newsrooms already stretched
thin, many stations would have to reduce the amount of news
programming if the industry experiences further significant
cutbacks in 2009."
Now
that those sub-channels are available with digital transmission,
how will TV stations use them (besides 24 hour weather?) WNBC
is going full-tilt 24 hour local news with
"New York Non-Stop".
One potential problem: digital subchannels arent rated
by Nielsen.
So how exactly will you know how many viewers you have
Is the constant barrage of bad economic news causing viewer
turnoff?
More news on the layoff front in TV news. Bad news locally,nationally
and now internationally.
Be careful if your TV station has the idea of webcasting local
high school sports. New battles are brewing between media outlets
and local school athletic associations as to who owns the rights.
And it's a cloudy
picture.
Those local "learn TV broadcasting" schools are in a
big financial crunch given the poor prospects for future students.
Some are closing
their doors leaving students high and dry.
Cheaper live shots! That's the prospect on using internet videoconferencing
tool Skype to present live video.
Skype has its drawbacks but TV stations are going to explore this
means
of live coverage as budgets tighten.
How does the local magistrate stick it to the TV stations?
With parking tickets
on news vehicles of course.
In the "don't do this" department:
Man
Arrested for Shining Laser Pointer at News Helicopter
Tim
Rutherford
PhotogsLounge.net
All Apologies
You
know how everybody that knows anything about computers always
tells you to backup your data so you don't lose it when the inevitable
hard drive crash comes-a-callin'?
Well...
It's not that I disregarded that dictum entirely, I was just lax
in my attitude about it.
And so, when my hard drive did indeed crash a couple of weeks
ago, I was left holding my d**k in my hand.
Dumbstruck, befuddled.
I guess I should have taken more care with the fact that I ran
an actual website that some people really did pop in to check
out.
But no...I was cocky. I was indifferent. "My computer is
working fine"...there was no reason to fear a crash.
So when it did crash, and I mean crash like a freakin' semi jack-knifing
on a slick two lane road full of vegetable carts and pane-glass
windows, I just stood there like the slack-jawed dummy I had become.
The burning plastic/metallic smell wafting over me was my first
sign. I knew I was in trouble but I figured if I just pleaded
"please mommy, make it all go away", the great lord
of computing would take mercy on me and ease my predicament.
No.
I lost it all.
Everything. The entire drive.
I literally lost my website. It was out there in cyberspace waiting
for me. But I couldn't get to it. The programs I use to work on
the site were lost with it. And since I got those programs on
the cheap, I didn't have backup for them either.
So I was left basically at square one. And that's an ugly square.
It's the most hated square of all the squares. Square one is a
bitch.
No one ever returns to square two ya know...but I figure it ain't
a whole lot better.
So right now, after messing with this predicament for a few weeks,
I'd say I'm on square....uh...I don't know...maybe seven.
I'm back up and running, but it took a lotta time, head-scratching,
and oh yeah...money.
Just like me to have to reconfigure the whole shebang.
But I'd like to thank all of you who continue to check out my
site.
It really is a labor of love and I'm glad to be able to work on
it again.
I'm just a TV photog with a website. But I'm going on 12 years
with this thing and my goal is still to keep you guys interested
with some news, some stories and some giggles.
Again...thanks for sticking with me.
Tim
Rutherford
PhotogsLounge.net
Reporting while flying blamed in copter collision
WASHINGTON
-
A midair collision involving two news helicopters over Phoenix
18 months ago occurred because the two pilots lost track of each
other while broadcasting live coverage of a police chase on the
ground, federal officials said Wednesday.
The pilots
were trying to do too much at once - fly, report and monitor multiple
radio channels - before the crash, the National Transportation
Safety Board said.
"The
probable cause of this accident was both pilots' failure to see
and avoid each other," the board concluded in a report on the
collision. "Contributing to this failure was the pilots' responsibility
to perform reporting and visual-tracking duties."
(More)
Now
that we're back to a peanut butter and cup 'o noodles economy
on the eve of the new year, it seems like a good time to put on
our Carnak the Magnificent's turban and take a guess at what's
inside the hermetically sealed envelopes.
What lies
ahead for the TV business and specifically the TV news business
in 2009?
Here are
some predictions from around the media spectrum.
TVPredictions.com
prognosticator Phillip Swann sees big trouble ahead for TV broadcasters
with the upcoming digital switchover. He sees many viewers giving
up on TV entirely with network viewers down drastically. Local
TV may lose 5-7% of viewers just with the transition.
Beet.tv
sees almost all the major media entities making deals with YouTube.
Many forecasters
are seeing 2009 as the year when mobile video really takes off.
Videonuze
says: "The mobile experience is going to seem more and more like
the one you have sitting at your computer, with the added benefit
of portability. To throw a blue-sky variable into the mix, one
wonders if at some point you'll simply plug your phone into your
TV and watch streamed or downloaded video that way."
In fact says
seekingalpha.com,
you will soon be treating your internet as if it were just another
TV. Many of you are already there.
Branding
will become even more important in a world of media excess says
tilzy.tv.
"Just because videos can’t be appropriately monetized in the near
term, developing lasting brands (or reputations) associated with
quality, innovative content will build value that can be monetized
down the road. Experimentation and innovation are key."
Local broadcasters
will begin to monetize their content in 2009 according to mediapost.com.
But internet media will continue to impact TV on the time spent
watching video.
But all is
not gloom and doom for the lowly little local TV station. Although
some are predicting the demise of at least one network (CBS seems
to be the favorite), TV viewing will continue to be the first
choice because "viewership in aggregate is actually going
up, so continuing to understand how social media extends and enhances
that experience (and sources content in reverse) will be mission
critical."
As for the
growth of one-man-band journalists and downsized newsrooms, the
pinch will continue at least until the automakers sense a rebound
and get comfortable again doing more advertising.
Local TV ownership groups are definitely hunkering down for the
new year. Layoffs and job-consolidation will surely continue at
least for the beginning of 2009.
If you are affected by this, my hope is that you can find new
avenues to travel that lead to new opportunities. For those still
hanging on to a TV job and crossing your fingers...ahh.. try not
to make eye contact with the boss.
Maybe they'll forget you work there.
The
future of live ENG transmissions continues to evolve and the latest
entry in the "doing away with 40-ft. masts" category
is WiMax, the 4th-generation wireless broadband access service.
They're experimenting with it in
Idaho of all places, and the reviews are pretty good. ("Most viewers
probably couldn't tell you we're doing anything different.").
Lots of big-name
players are entering the field, but their are still some major
drawbacks that may slow the pace of this technology.
Still, many
folks believe that this lower-cost wireless application will replace
the likes of microwave truck transmissions. MORE...
Now
that the weather is turning colder, it's time to consider the
effects of freezing temperatures on video equipment and offer
a few tips that will keep you shooting when both you and your
camera would rather be indoors.
You don't
have to be working in arctic conditions to have a problem with
condensation. Exposing a camera and lens that have been chilling
outdoors to a warmer environment, especially if it is also humid,
causes the air next to the camera to cool below its dew point;
moisture given up by the warm air condenses on the camera's cooler
surfaces the same way that frost forms on the inside of a window
on a really cold day. Most of this moisture will evaporate as
the camera warms up, but sometimes moisture condenses inside the
viewfinder and between the elements of the lens.The
results are images that look like they've been shot through a
fog filter.
Sometimes
condensation makes its way into the recorder, where moisture sensors
will detect it and shut down the tape mechanism. The best way
to avoid condensation problems is to place the camera in an airtight
plastic bag before bringing it indoors.
Condensation
will form on the outside of the bag instead of on (or within)
the camera and lens. After a brief wait of perhaps 10 or 15 minutes,
the camera should be close enough to room temperature to make
it safe to unseal the bag. Leaving the camera on while it is bagged
will generate a little extra heat and speed the process.
If the condensation
gremlin has already struck, a gentle stream of air from a hair
dryer set to low heat will help chase the humidity away. Just
remember, the goal is to dry out the camera, not cook it. To avoid
damage, the air directed at the camera and lens should be no warmer
than you can tolerate on the back of your hand.
Posted by
Brian Smith at tvtechnology.com
Tim
Rutherford
PhotogsLounge.net
Our Prices Are INSANE!!
If
you've been waiting for just the right time to buy that new HDTV,
your time has come. This holiday season the prices for new LCD
and plasma HDTV's will be significantly
lower.
The economic
downturn may spell doomsday for a lot of financial institutions,
but it is just the ticket for the person holding enough cash to
steal away with a bargain TV.
Excerpt:
"To save cash, customers will most likely go for the stripped-down
models, Mr. Gagnon said, devoid of the bells and whistles but
still delivering good picture quality. And those sales should
disproportionately go to the big box discount stores, like Costco
and Wal-Mart, where consumers are now spending more of their money."
MORE...
Tim
Rutherford
PhotogsLounge.net
A Better News Division, Rockefeller Money Can't Buy
NBC
executives have been gathering employees in town hall-like meetings
to explain the new paradigm shift that is affecting the world
of TV news.
What does
this mean for you?
This
article sheds light on the process that may be coming to your
station soon.
Excerpt:
"According to one current staffer, the number of cameramen
on staff has dropped in recent months from roughly 25 to roughly
10. “If you don’t have people to take pictures and you don’t have
people to edit pictures, then you’re not delivering visual news,”
said the source." MORE...
Tim
Rutherford
PhotogsLounge.net
A Survival Guide To Your Layoff
Okay...you
can see it coming. The company is downsizing and you are in their
line of fire.
Are you prepared
if that pink slip is attached to your last paycheck. Here's
a guide put together by photojournalist Brad Ingram of WGHP-TV
to help you deal with...the LAYOFF!
Excerpt:
"If you have any personal belongings or equipment stored
at work make sure it’s in one area if possible. Make a list of
all of the personal equipment that is yours and supply that list
to your department head. That way you and your equipment are protected.
MORE...
Tim
Rutherford
PhotogsLounge.net
Houston TV Station Copter Crashes, 2 Dead
Here's
video and media reports of the Houston TV copter crash.
• July
2007: A helicopter flying for Dallas Fox affiliate KDFW made
an emergency landing near Grand Prairie, injuring two reporters
and the pilot.
• July
2007: Two news helicopters collided mid-air in Phoenix while
covering a police chase. Four people died.
• May 2004:
A news helicopter covering a triple shooting crashed onto a
roof in Brooklyn, N.Y. No serious injuries were reported.
• May 2001:
The pilot of a KHOU (Channel 11) news helicopter crashed while
trying to land on the station's roof. He was not injured.
• April
2001: A KTRK (Channel 13) helicopter lost power but landed safely
in Montgomery County while covering a school bus accident. No
one was injured.
• November
2000: KRIV-TV's SkyFOX went down in Houston's River Oaks community,
killing pilot Donald Sumner.
• March
2000: A news helicopter covering a train derailment crashed
in suburban Miami, killing a photographer and a pilot.
“Will
anchors be worth what they were worth? No. You cut back on salaries.
The people who had the ability to get higher pay won’t have
it. It doesn’t mean they won’t be valuable. It doesn’t mean
they’ll lose their jobs. They might, but what it probably means
is they probably won’t make as much money."…”
Photogs
in Cities Around the World Tell You Where to Go and What to Do! Example: "...When
in New Orleans many people automatically
head for Bourbon Street in the French Quarter. That's fine if you
like overpriced drinks, obnoxious tourists and the smells of vomit
and urine. For something different, try Frenchmen Street in the
Faubourg Marigny, just downriver from the Quarter." More...
-What
the Assignment Desk Really Means... Assignment desk says: "I need you there
by 2 o'clock!" Really means: "It doesn't start 'til 2 thirty...but I need
to start covering my ass after missing the anchor's speech at
that ladies luncheon yesterday.